
Early Clocks | Lee Borrett
During the eighteenth century, hook-and-spike wall clocks provided a practical and relatively inexpensive alternative to both the traditional brass lantern clock and the fully cased thirty-hour longcase clock. Essentially, these clocks possessed a compact thirty-hour movement but required no wooden case. Instead, an iron hoop and projecting spikes at the rear allowed them to be hung securely from a convenient wall hook, much as lantern clocks had been for generations.
For an owner of modest means, this arrangement offered considerable flexibility. The clock could be purchased and used immediately as a wall clock, avoiding the additional expense of a longcase. If circumstances later permitted, the same movement could potentially be incorporated into a wooden case. This combination of simplicity, practicality and affordability helps explain the appeal of hook-and-spike clocks as a form of provincial domestic timekeeper during the eighteenth century.
The exceptionally rare surviving examples illustrated below provide a fascinating glimpse into this distinctive tradition of early English clockmaking. Each clock can be explored through its own fully illustrated article, revealing the individual craftsmanship and often unusual constructional features of the provincial makers who produced them. Further examples of these remarkable early wall clocks, together with additional research and historical information, will be added as this section of the website continues to develop.
Wall Clocks
Hook-and-Spike
A
Round Dial
Hook-and-Spike, by
Richard Savage, c.1725
This wonderfully original and exceptionally unusual round-dial hook-and-spike wall clock was made by Richard Savage of Shrewsbury around 1725, towards the end of his remarkable working career. Its distinctive circular brass dial, signed ‘Rich. Savage, Salop’, is an uncommon feature amongst clocks of this period, while the beautifully preserved movement retains numerous individual constructional details associated with Savage’s workshop. These include decorative brass wheel collets, iron top and bottom plates, an unusually shaped hammer arm and the distinctive L-shaped bracket securing the dial. Together, they provide a fascinating glimpse into the workmanship of one of Shropshire’s earliest important clockmakers, whose surviving clocks so often display remarkable individuality.



Click here to read my fully illustrated Richard Savage round-dial hook-and-spike wall clock article. Private collection. photographed by Lee Borrett.
Anonymous Birds
Hook-and-Spike, c.1720
Anonymous, birds, c.1720. century single-handed hook-and-spike wall clock which dates from around c.1720. The extremely attractive 8.25-inch square brass dial with polished dial centre has a wonderfully naive engraving of four birds within a loose foliage design and may well have been engraved by the clockmaker himself.
Click here to read my fully illustrated anonymous, birds, c.1720 single-handed hook-and-spike wall clock article. Private collection. photographed by Lee Borrett.
Walter Archer
of Stow, c.1700
Above. Walter Archer of Stow, c1700. Shown here is an interesting, unrestored early single-handed hook-and-spike by Walter Archer of Stow, c1700. The clock is housed in a painted pine longcase and hangs from the backboard of its case via an iron hook. Archer was born in 1674 at Moreton-in-Marsh, Gloucestershire, the son of a blacksmith. By about 1695 he had moved to Stow-on-the -Wold, being first documented there in a list of inhabitants of 1699 with his brother, Charles (born1676), who followed the same trade. Walter Archer died in about 1744-45.
Click here to read my fully illustrated Walter Archer of Stow, c.1700 single-handed hook-and-spike article. Private collection. photographed by Lee Borrett.
Thomas Gilkes
of Sibford, c1720
Above. Thomas Gilkes of Sibford, c.1720. wonderfully original, early 18th century hook-and- spike wall clock made by Thomas Gilkes of Sibford Gower in Oxfordshire from between around c1710-1720. The wafer thin, solid nine-inch square brass dial has the twin cherub and crown (with cross) spandrels, attatched to the corners and there is rather an attractive zig-zag engraving to the dial centre. The original iron hand (with long tail) is retained and the chapter ring is signed ‘Gilkes Sibford '. The iron and brass birdcage movement with hoop and spurs is in an untouched and original condition throughout and has some nice early individual features including some interesting iron work - for example: - the nicely shaped iron tapoured arbours - have no seperate collets. Instead, the tapoured arbours are attatched directly to the wheels. This shows me that Thomas Gilkes was still using 17th century techniques during the early part of the 18th century.
Click here to read my fully illustrated Thomas Gilkes of Sibford, c.1720
single-handed hook-and-spike article. Private collection. photographed by Lee Borrett.





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